PhD
Liquidity
30/12/11 23:28
Drowned landscape, the reservoir brimming. Buttery
coconut through the dripping rain, gorse in its
second flowering of the year. Read
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Making Glass: studio
11/12/11 23:16
In the studio today, Stuart films me Making
Glass, a re-enactment. Read More...
Making Glass: location
10/12/11 23:24
As the lemony sun sinks into a grey cloudbank over
Mount Edgcumbe in south east Cornwall, Stuart films
me on Stonehouse Pool Beach Read More...
Sound-image
20/11/11 23:15
Sound-Image
Scope of me whistling into the Hellivox, at the Practical Electronica exhibition, Phoenix, Brighton during a weekend visit to Cine-City festival. Read More...
Scope of me whistling into the Hellivox, at the Practical Electronica exhibition, Phoenix, Brighton during a weekend visit to Cine-City festival. Read More...
REQUIEM // 102 minute #29
16/12/10 00:01
This is my contribution to Nick
Rombes’ experimental film project, which marks
the 10th anniversary of the release of Darren
Aronofsky’s Requiem for a Dream. Nick
said that REQUIEM // 102 “aims to expand
and push the boundaries of writing and thinking
about film in the digital era [and]
examines/explores/riffs on/detours from/responds
to/aggravates/ supplements/ one frame from each
minute of the film. 102 minutes = 102 frames.”
He sent me this jpg, taken from minute #29.
Read More...
In place
02/08/10 23:43
I stand in a bowl-shaped valley and the film curves
around me. The concave granite walls amplify sound,
and the covering of conifers, broad-leaved trees and
scrub soak up reflections, so that the vibration of a
bee’s wings on the far side of the clearing is heard
as if in close-up. Read
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Fireweed
31/07/10 23:49
Get up when the sun shines and head into the breaking
cloud with the cameras to film timelapse and bee
fly-bys. As we drive along the A386 to Dartmoor,
massed plants light up the verge, blazing pink.
Read More...
Golden bee
26/07/10 23:35
Up close and steamy today in the lab today, Martin’s
gilded bee has a starring role on the miniature 360
degree stage of the scanning electron microscope. We
‘film’ our prize specimen from different positions,
focusing on her lovely furry face: which, I notice,
is heart-shaped. Read
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Burrator
25/07/10 23:59
We take a different path through the wood and find a
clearing among the trees that’s out of the wind.
Perfect for filming and sound recording: the breeze
from the north west is picking up and puffs of light
cloud start blow across. Read
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Bee-proof
22/07/10 23:38
We drive through heavy rain along the southern edge
of Dartmoor, then clouds evaporate as we head down
into South Hams and arrive at Martin’s house.
Read More...
Flow
19/07/10 22:44
Yesterday lunchtime Tony and Ruth from next door
brought round 3 tiny froglets they’d found in the
gutter out the front: escapees from the Lidl bowl in
our back garden. Back to sunshine again today, and in
the sound studio with James, working on the audio
design. Read More...
Lavender
17/07/10 23:54
On the edge of rural Plymouth there’s a ceramic
plaque with a drawing of a bee that says: A beekeeper
lives here. Read More...
Bow
21/07/10 22:28
I buy bee protection supplies for tomorrow’s filming
date with Martin and his honeybees: yellow Marigold
gloves (they have longer wrists) and long sox.
Read
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Lab time
20/07/10 22:44
Today we’re on laboratory time as we look at our bee
samples on the big 6100 Scanning Electron Microscope.
Inside: the roar and whoosh of the air con,
chuntering of mechanical devices; outside: rain,
rain, all day. Read More...
Bloomsday
16/07/10 23:56
Huge gusts wrestling branches,
leaves ripped. Bumble bees hide out the storm in
the thick of the bay tree. Read
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Present absence
24/01/10 00:46
Absent presence
23/01/10 00:41
Inspector Specto
07/11/09 00:52
AFTER Artist’s residency at Plymouth Arts Centre
Studio One: Inspector Specto from Kayla Parker on Vimeo.
Read More...Wobbly
29/10/09 23:00
AFTER Artist’s residency at Plymouth Arts Centre
Camera handheld at arms length up to the moon through the birch leaves. Traffic, warm, no breeze; faraway mewl of a cat and helicopter drone; a splosh in the pond as a fish scares itself and flips in the water. Read More...
Camera handheld at arms length up to the moon through the birch leaves. Traffic, warm, no breeze; faraway mewl of a cat and helicopter drone; a splosh in the pond as a fish scares itself and flips in the water. Read More...
Mouth loop
26/10/09 14:20
Studio One: Artist’s residency at Plymouth Arts
Centre
Inside/outside
Dream: in a small waiting room, with a glass wall and door, on the border between nature and culture. I stand in the corner next to the door and display my ‘pieces’ - small creative objects, personal records - on the wall. I reach up and pin them to the wall, above shoulder height. Behind me a group of First Nations Canadians file in and sit around a low circular table: elders, with their tribal collections of knowledge coded into artefacts made of wood, berries, stones. I am in some way being judged, behind my back, but am accepted. I look through the glass to where I will be going: the wild land, trees and scrub ahead. Read More...
Inside/outside
Dream: in a small waiting room, with a glass wall and door, on the border between nature and culture. I stand in the corner next to the door and display my ‘pieces’ - small creative objects, personal records - on the wall. I reach up and pin them to the wall, above shoulder height. Behind me a group of First Nations Canadians file in and sit around a low circular table: elders, with their tribal collections of knowledge coded into artefacts made of wood, berries, stones. I am in some way being judged, behind my back, but am accepted. I look through the glass to where I will be going: the wild land, trees and scrub ahead. Read More...
Cutting edge
25/10/09 18:44
Studio One: Artist’s residency at Plymouth Arts
Centre
Turn back the clock; we’re locked into Greenwich Mean Time for the next 6 months.
16.16 BATTER STREET Gavin sitting up in the projection room getting ready for the Sunday evening screening. Whir of central heating pump, faint keyboard. Dry fruit and sawdust smell. Read More...
Turn back the clock; we’re locked into Greenwich Mean Time for the next 6 months.
16.16 BATTER STREET Gavin sitting up in the projection room getting ready for the Sunday evening screening. Whir of central heating pump, faint keyboard. Dry fruit and sawdust smell. Read More...
Space to speak
24/10/09 17:55
Studio One: Artist’s residency at Plymouth Arts
Centre
ROLLING PICNIC
Two small round plastic caps at the top of Peacock Lane: cerulean blue E63 and light lime green FLIP OFF. Fresh fast wind off the sea, blazing horizon. M+S Super wholefood salad and a plastic fork; then latte in the arts centre café. [TINKLY TOP NOTES ON A PIANO, CONTRALTO SMOKY SOUL DIVA IN CONVERSATION WITH A MELLOW SAX] [“Feel your touch... the thrill [...] nights are [...] lovers can [...] the thrill... is gone... this is the end...”] Women grouped around a table in the upstairs gallery by the café, making things out of scraps of material, lace edging; speaking quietly. French and English voices, pinning and sewing; soft and communal. Read More...
ROLLING PICNIC
Two small round plastic caps at the top of Peacock Lane: cerulean blue E63 and light lime green FLIP OFF. Fresh fast wind off the sea, blazing horizon. M+S Super wholefood salad and a plastic fork; then latte in the arts centre café. [TINKLY TOP NOTES ON A PIANO, CONTRALTO SMOKY SOUL DIVA IN CONVERSATION WITH A MELLOW SAX] [“Feel your touch... the thrill [...] nights are [...] lovers can [...] the thrill... is gone... this is the end...”] Women grouped around a table in the upstairs gallery by the café, making things out of scraps of material, lace edging; speaking quietly. French and English voices, pinning and sewing; soft and communal. Read More...
Lightbox
24/10/09 12:40
Studio One: Artist’s residency at Plymouth Arts
Centre
10.16 BATTER STREET Back in. A mushy warm kind of day. Skylight leaking into an empty 5 litre Hellmann’s REAL mayonnaise tub (“...The only mayonnaise”) and a Pure Brilliant WHITE (FOR WALLS & CEILINGS) Dulux Rich Matt (WIPE CLEAN) 10 litre plastic paint pot. Behind the deep blue door: rap/hip-hop [“Birdz ov a feather now [...] get back muthafucka, u don’t no me like tha’] Young male voices [YOU HAVE LISTENED TO RAP ON TELEVISION! YOU LOVE METAL... RAP SHOULD BE LIKE THAT!] Read More...
10.16 BATTER STREET Back in. A mushy warm kind of day. Skylight leaking into an empty 5 litre Hellmann’s REAL mayonnaise tub (“...The only mayonnaise”) and a Pure Brilliant WHITE (FOR WALLS & CEILINGS) Dulux Rich Matt (WIPE CLEAN) 10 litre plastic paint pot. Behind the deep blue door: rap/hip-hop [“Birdz ov a feather now [...] get back muthafucka, u don’t no me like tha’] Young male voices [YOU HAVE LISTENED TO RAP ON TELEVISION! YOU LOVE METAL... RAP SHOULD BE LIKE THAT!] Read More...
The measure of It
23/10/09 17:32
Studio One: Artist’s residency at Plymouth Arts
Centre
14.50 BATTER STREET deep blue break time [THUNDER OF TRAINERS ON WOODEN STAIRS]. Simon comes to check everything’s ok.
THE MEASURE OF IT: I use the window as a lightbox, scrape the skin of the film, peel back strips of emulsion with the blade. [THE FLY DOES A LITLE BUZZY DANCE] Leaning on the glass I am in/outside, my vision flexing. A youth on the phone outside the door [AND HE SAID WHAT?] (His voice breaking into the mouthpiece). Read More...
14.50 BATTER STREET deep blue break time [THUNDER OF TRAINERS ON WOODEN STAIRS]. Simon comes to check everything’s ok.
THE MEASURE OF IT: I use the window as a lightbox, scrape the skin of the film, peel back strips of emulsion with the blade. [THE FLY DOES A LITLE BUZZY DANCE] Leaning on the glass I am in/outside, my vision flexing. A youth on the phone outside the door [AND HE SAID WHAT?] (His voice breaking into the mouthpiece). Read More...
I'm In
23/10/09 14:26
Studio One: Artist’s residency at Plymouth Arts
Centre
10.10 BATTER STREET I’m in. Thanks Simon for giving me the keys. Studio One: undisturbed air, chalk dust taste. Against the wall, some random tables, blue plastic chairs in stacks, a white kettle jug on the floor. Read More...
10.10 BATTER STREET I’m in. Thanks Simon for giving me the keys. Studio One: undisturbed air, chalk dust taste. Against the wall, some random tables, blue plastic chairs in stacks, a white kettle jug on the floor. Read More...
